Wednesday, August 7, 2013

Who Decides A Film's Success?

We have all come to the understanding that if a  $20 million budgeted film, like The Conjuring, earns $110 million in the box office it was a success. We also understand that if a $250 million budgeted film, *cough* Lone Ranger *cough cough,* earns $87 million in the box office, something went wrong.

  These numbers make me wonder if big studios will ever realize how powerful word-of-mouth can be. Films like Jack the Giant Slayer, White House Down, and After Earth overwhelmed us with marketing. Channing Tatum and the Smith duo could be seen all over the city (billboards, subway walls, bus, etc.) for about a months time, so, we all knew these films were going to release yet many of us decided to skip them. Why is that? Quite frankly, I have not heard a good thing about any of these films, so why spend the $13.

  Opening weekend box office results are the defining factor for whether a film gathers a profit. The marketing department of a film is responsible for getting viewers, but the film itself needs to be interesting enough to spread good word-of-mouth. The Heat started with a $39 million opening weekend, but, thanks to the constant praise from fans, it has been consistently in the top 10 for the last six weeks and has earned $150 million (more than a $100 million profit.)

  People don't search for the films that cost the most money to make, we want to see something that makes us laugh, makes us cry, or makes us want to spread the word. Good story needs to stand as a higher priority for these studios than explosions, sex appeal, and remakes if they plan on reaping any sort of profit. In the end, we're a complicated audience that doesn't want to see the same thing twice.We decide the success of a film and our word is final.

Tuesday, August 6, 2013

Speculations on the Hollywood Implosion

Kickstarter, Indie Go-Go, I-Tunes, Netflix, Hulu, Google, Roku, Piracy, VOD, You Tube, Mobile Phones, Tablets

This is a list of factors Hollywood executives use to blame for the collapse of traditional economic systems in producer-run studios. Since the spring of 2012, we have reported on inventive ways young filmmakers (and old) have been using the power of the democratic internet to fund, produce, distribute, and market their projects. Our coverage has noticed a trend of critically respected filmmakers voicing their opinions on the issue. In general, directors are disappointed in the investments of Hollywood studios. The year 2015 will see 29 $100 + financed films as sequels and remakes. Predictions assume if a handful of these films do not earn back their budget, a major Hollywood studio will financially collapse. In reality, the US government will NOT label this business as "too big to fail".

Auteurs and independent artists agree the current system of film finance is an unfortunate result of the economy and expansion of inexpensive distribution outlets. Producers are regurgitating a formula, created by the Star Wars franchise, to bet on big audiences during the summer months. In my opinion, film producers and executives are not being attentive to content distribution and audience participation. Why did we see big budget movies in the summer? Because school is out, our favorite TV stations are recycling reruns. There was nothing else to see. Remember fifteen years ago when there was that one big film that everyone had to see that summer? Now there are 13 big films. Soon to be 29. Our pockets are not that big to accommodate so much expensive content. Our viewing habits are changing. The finance model of studios are not adjusting. 

Cracked.com has published an opinion editorial that lists the major consequences of this speculation and how it will happen. Please click on the link below and read the article. From my observations, I don't think this satirical article is far from the truth. We'll keep covering this issue as it develops on our laptops and desktops. 

Friday, August 2, 2013

Spike Lee's Exploitation?

The Kickstarter Exploitation continues with a new pitch. Our good old friend Spike Lee has taken to the crowdfunding site in hopes to pay for his newest project, whatever it might be. Something that has to do with vampires, I guess. I'm not going to discuss whether his pitch is worthy of $1.25 million or not, that's for you to decide ( the video is below.) I'm more concerned about the welfare of this once brilliant storyteller. What happened, Spike?

   His pitch basically states, "Hey, I'm Spike Lee, you know, the guy who made all those movies you've loved (way back when.) Give me some money and I can make another one." This might have caught my eye after The 25th Hour, but his track record is not what it was back in 2002. Maybe this isn't really about "The Newest Hottest Spike Lee Joint"; maybe this is about a man confused about his current status in the movie industry. Does he want to know just how many people still support him? We're currently at 2,733 people.



If you wish to support, click here.

Monday, July 29, 2013

One Minute Scare

Too often, I experience student frustration over the limitation to tell a complete story in ten minutes or less. The struggle is to consolidate ideas. Novice writers find the task so daunting they ignore advice from their peers and suffer in production. This short by Jason Eisner takes advantage of constraints. In 60 seconds, he uses three act structure and effective genre tactics to create an interesting film. Check it out and be inspired!


Thursday, July 25, 2013

'Fruitvale Station' Review - ★★★★

Oscar Grant was shot and killed by a police officer on the train platform of Fruitvale Station in Oakland, California on New Year's Day of 2009. He was a father, son, boyfriend, ex-convict, drug dealer, and a man of color. Fruitvale Station is an account of the last 24 hours of this man's life.

      27 year old writer/director Ryan Coogler makes his debut film about something he knows very closely. He and Oscar were both the same age and grew up in the Bay Area, under similar conditions. A critic or two have made claim that Coogler has taken this real life victim and painted a falsely positive picture of him. They do not understand that Oscar is not being glorified, gut he's being taken out of his post-death public persona and placed into a relatable reality. Coogler did his best to tell this story accurately through research of Oscar's cellphone messages and personal testimonies from people who were with him on his last day.

       The little things in Oscar's day, like reluctantly stopping for gas, make us relate to him, but nothing compares to the realism of actor Michael B. Jordan's portrayal of our protagonist. He can be the stubborn but loving son, the untrustworthy boyfriend, the playful father, and the terrifying thug all within a moments notice. His depth does not allow Oscar to be bound by any one label or stereotype. The film is a testament to the problems with that result from stereotyping.

       Yes, a policeman was the one to pull the trigger on Oscar, but the preconceived notion that a young colored man in an all black baggy t-shirt is dangerous, that is what killed him. Oscar was not perfect, no one is arguing that. He had made bad decisions and had had moments of true terrorization in his life, but those moments should not define his life. We all make mistakes, ones that can hurt the people around us. What we see in Fruitvale Station is a man trying his best to do the right thing. You can't ask for more than that. ★★★★

Tuesday, July 16, 2013

Summer Studios

Wednesday, July 10, 2013

'Much Ado About Nothing' Review - ★★★☆

Joss Whedon takes a step outside of the Marvel's the Avengers spotlight for a moment to adapt Shakespeare’s comedy Much Ado About Nothing. The cast – comprised of Whedon regulars from shows Dollhouse and Firefly and films Cabin in the Woods and The Avengers – gives witty, cute, and passionate performances in a Shakespearean tongue that is spoken so quickly that, at times, it can be hard to translate.

      This comedy leans heavily on Benedick (Alexis Denisof), a man who vows never to marry, and Dogberry (Nathan Fillion), a slightly dimwitted constable of the Watch and “an ass,” who both light up the screen. The inevitable drama of Shakespearean writing is depicted through Claudio (Fran Kranz), who, love-stricken and gullible, shames his love, Hero (Jillian Morgese), in the belief that she has been unfaithful. Kranz is sweet and provoking as an ignorant romantic.


      Whedon’s Much Ado About Nothing is all you could ask for in a modernized Shakespearean adaptation. The setting, wardrobe, and American accents are what separate this film from Shakespeare’s original creation, but none of which take away from the story’s comic splendor. The Bard would be proud. ★★★☆


Thursday, June 27, 2013

Sundance Short Workshop Week 1!

Brooklyn Academy of Music -  BAM Rose Cinemas
30 Lafayette Avenue, Brooklyn, NY 11217
Sunday, July 14, 2013


$150  -  http://www.sundance.org/programs/shortslab-nyc/

Recognizing the important role shorts have in cinema, storytelling, and culture, Sundance Institute presents ShortsLab: NYC to help empower the next generation of artists. Filmmakers are invited to participate in this full day seminar of Sundance-organized screenings and panel discussions to offer firsthand insight and access into the world of story development, production, and exhibition of narrative short-form storytelling. This all-day (10am-6pm plus reception) educational workshop includes short film screenings and panels on enhancing story and dialogue, collaborating with essential crew, working with actors and going from short to feature. Programmers from the Sundance Film Festival will be on hand to explain our process in finding short films and navigating the festival world at large. At all panels, Q&A with the audience is encouraged.

Tuesday, June 18, 2013

Alumni News : NHL Editing by Dan Arena

Alumni Dan Arena has been working as a freelance editor for the NHL since the beginning of the year. He has sent us a clip that he cut together for NHL's site. Congrats Danny! Thanks for the update!


Monday, June 17, 2013

Happy Summer Break!

Have a relaxing break everyone! A few notes about our whereabouts -
* Freddy and the cage workers will be here during break for inventory.
* I will be here all break, but not here during week 1 and week 2. I'll post updates on the blog.
* Check back we will post reviews and industry updates as the weeks move along.
* Classes begin July 8th!!!!
- Eve

Tuesday, June 4, 2013

ALPHA CHANNEL TICKETS!!!!!!!!!

You can get your free tickets to this quarter's Alpha Channel just by clicking the link below.

   This years Alpha Channel features:
        Common Theory
        Vespa
        Obsequey (The Death of Art)
        Dreams
        The Piano Teacher


http://su13alphachannel.eventbrite.com/

Monday, June 3, 2013

Alumni News : "The Bubble" Available!

We have reported that alumni Phil Swift has completed his feature documentary on Celebration, Florida. The film is available now on Chill.com for 4.99! Check it out and enjoy.

https://chill.com/PhilipSwift/the-bubble

Alumni News : Kickstart "Eye Five" !!!!!

Alumni Jesse Dillon (Where Socks Go) is working tirelessly to fund his next project. His previous film headlined the most attended screening we have had in Alpha Channel history! Please help him create his next project by donating to his kickstarter account. Every dollar counts! Hurry - the project is over in four days!!!  http://www.kickstarter.com/projects/2141312049/eye-five